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Thursday, December 17, 2009

MJ’S LOW-PRICE GIFT GUIDE

As you know, I am an expert on all things Cheer-related, so I am kicking off my annual Cheer Blogs, in which I help YOU solve your holiday conundrums. Recently, many of you have been asking for help buying gifts—specifically, gifts that don’t cost too much.

I know it's bad to encourage commercialism and of course the MAIN thing you should be buying is BOOKS, preferably from your local independent bookseller. But okay. I know some people don't want books, or you have to get something BESIDES books. So I have assembled this list of things you can buy for $5-30, most of which I own and can vouch for.

FLIP AND TUMBLE REUSABLE SHOPPING BAGS, $7-9

These bags are awesome. I first saw them at Scott Westerfeld and Justine Larbalestier’s house. They own a half dozen or so. Now, so do I, and I go nowhere without them. They are super durable and fold up into this awesome little ball you can chuck at people’s heads. You just keep one or two in your bag or suitcase and you won’t need any plastic bags at all! Good for the environment, good for you.



A small family of Flip and Tumble bags, waiting for adoption.


HARMONICA, $5-25

I was amazed to discover one day that I had a drawer full of harmonicas. And when I say “full of harmonicas,” I mean that there were two of them. But that is more harmonicas than I was expecting to find. And they are NICE harmonicas, too. They are “professional quality.” So I pulled out one of the harmonicas and IMMEDIATELY played “Happy Days Are Here Again” on it. Like, literally! I never knew I could play the harmonica! Harmonicas are awesome, and an excellent gift for those times when you first start dating someone and you aren’t sure what you “are” yet and you don’t want to freak them out by giving them a piece of jewelry or a vial of your own blood or something like that that just radiates COMMITMENT. Harmonicas are also great gifts for people who really hate their roommates, or for anyone who has a mustache. I think you will find they are RIGHT in many circumstances.



The little black dress of gifts


MAGNETIC JOURNALS, $10-30


I buy a lot of journals. I don’t know why. I don’t usually write that much in them. But I buy them like a maniac and I’ve taken a real shine to this brand, which makes beautiful ones with great bindings and a handy magnetic clasp to keep them closed and tidy. The bonus part of this is that you can sit and flick the clasp closed over and over. It makes this awesome snick, snick, snick noise that will annoy others but somehow really helps you think. Or at least look like you are thinking. And that is what matters.



I own this one. Snick. Snick. Snick.



FIRE EXTINGUISHER, $10-25


Everyone should own a fire extinguisher. It’s a gift that says you care. It’s best given with a word of loving caution and a deep, unblinking stare. Say something like, “You never know when a fire could break out.” Or, “You’d be amazed at how many things burn.”



Things burn, you know.


TREE CANDLE, $11-26


Listen to me, and believe me . . . I am OBSESSED with good holiday candles. Every year I go around to ever shop like some kind of deranged bloodhound, sniffing. I sniff and sniff. And I am not easily satisfied. But let me tell you something . . . this candle smells like a frickin’ tree. I bought five of them, and I’m going to buy more. You probably know someone who wants a frickin’ candle. Get them this frickin’ candle. That is all.



"It smells like a frickin' tree." - Maureen Johnson, author, so-called interesting person on Twitter


PLATES OF WORRY, $10-15

There’s a store called Fishs Eddy here in New York that just makes awesome weird stuff. I shop there a lot. If you are in NYC, you should, because they have cool crap like mugs with the least-famous presidents on them, or drinking glasses with striptese dancers on them, or big piles of flatware for cheap, and they also have a large assortment of antique disembodied ceramic arms. I am really taken with these plates, which have all kinds of demotivational messages written around the edges, like, “It’s hard to be around you when you eat like this” and “For the love of god stop eating.” They are good, strudy plates too, so you can really fill them up! (This store also has totally awesome scissors too, if you are into scissors.)




URBAN DECAY EYESHADHOW PRIMER POTION, $17


So when I was out the other day at the makeup store (the same day I bought the vibrating makeup that keeps breaking and vibrating in my bathroom sink) the saleslady said to me, “You should buy this stuff.” And I said, “What is it?” And she said it is a POTION that keeps your eye makeup on. Now, if you have ever worn eye makeup, you will know that it can rub off and be annoying, and clearly I was in the mood that day to be convinced so I took it. I don’t know what is in this stuff—magic, or uranium, or glue or something—but it totally works. A good gift for people who wear makeup, and a lot better than a stupid vibrating sponge.



Now with NEW WAND


GAP SLIPPER BOOTIES, $25

I own a pair of these in white. They’re nice. I originally bought them because they looked warm and comfy and I thought they would be great to wear on writing days at home. I have discovered their other advantages. Like if you live above a crazy person who sends security after you if you close your windows, or attacks your cable guy while he is installing your Verison FIOS, or calls the apartment complex’s carpet police to say you don’t have enough carpeting even though you totally do and in fact went and bought thousands of dollars worth of deep-pile shag rugs to shut her up but nothing you do will satisfy her, nothing, so you essentially carpet your feet but still that isn’t enough! Anyway, these slipper booties are great for that! Also, you can wear them to walk home from the emergency room at 4am after you have a reaction to medication and you are so ashamed that an ambulance had to drive you ACROSS THE STREET that you go home on foot, which is fine because you are ACROSS THE STREET.



Cozy!


MINI HELICOPTER, $30

I don’t own one of these yet, but you better believe I mean to. Because . . . mini helicopter. There is nothing a right-thinking person can’t do with one of these babies. Check out this sweet video:



See what I mean? Don’t you just want to cover that thing in post-it notes and fly them into unsuspecting people’s heads? I mean, that is what I am going to do with it, when I eventually get one.

Have CHEER-related questions.? Hit me. I am here, ready to help.

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Monday, November 09, 2009

NANOWRIMO DAY EIGHT: BY THE NUMBERS

shopoholic309 asks: I only have 1000 words written for NANO. Problem? Should I give up already?

Give up? GIVE UP? On the 8th of November? When you have 22 days to go?

Think about it this way: so, you have 49,000 words left to write. Originally, you had to write approximately 1,666.6 words a day. Now you have to write 2,227.2 words a day. Which is a difference of just 560.6 words a day. 560.6 words? That’s, like, a sentence! Okay, it’s like a paragraph. Maybe a page. Okay, it’s like a blog answer. I will MAKE this answer 560.6 words long to show you that it is not a big deal to do that many extra words a day. At the moment, I’m at 109 words. Well, 109 was actually the 110th word. And just telling you that has gotten me up to 128 words! Which is about one-quarter of the way! See how this just zips along?

I mean, maybe you’re thinking of when you get an essay assignment and it’s like, “Write 3000 words on which kind of wood is best for eating.” And you’re like, “Oh my god, how am I am going to write 3,000 words?” Because the task already seems hard (the answer, by the way, is balsa—and also whatever my bed was made out of when I was little because I used to crawl out every night and chew on the footboard) . . . when you add a NUMBER to it, it just makes it seem scarier. But numbers, like guns, cannot hurt you. Numbers don’t kill people—math kills people.

Speaking of Numbers . . . have you ever seen that show Numb3rs? Which they actually spell with a 3? In that show, numbers can solve crime. Like, any crime. You can just feel how that show was pitched: “Okay, so, it’s an FBI show . . . but, like, the one agent? Has this brother? Who’s like, a crazy MATH GENIUS? And the FBI guy pulls in his brother and then EVERY WEEK there’s, like, a MATH PROBLEM at the center of the show? And then all of these genius professors will, like, explain math? And we’ll run some mathy graphics in the background so it all seems legit. It’ll be like CSI, but for nerds. Nerds and shut ins.”



The graphics are almost certainly meaningless, but no one cares.


Numb3rs is not a very good show, but it is an example of how numbers can be our friends. And also how we can use numbers in our spelling. For example, I could start spelling my name “Maur33n Johns7.” I won’t, but I could. By the way, I am counting that caption in the word count, which is now 443—which INCLUDES the number 443, which is a real number and not my attempt to spell a word with numbers. (Or numb3rs.)

My point, shopaholic309 (it’s like you KNEW I was going to start spelling names with numbers!) is that you definitely can’t give up before you even start, and you can’t let a little thing like 560.6 words get in the way of your DREAMS. If you want to write, don’t let yourself be scared off. There are a million excuses to make to keep from sitting down and writing. A big part of the battle is just ignoring those things and getting down to business. Don’t let a little thing like 560.6 words get in your wa . . .

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Tuesday, November 03, 2009

NANOWRIMO DAY THREE: POINTS OF WHAT?

NANOWRIMO DAY 3: POINTS OF VIEW

Hello, friends! Today I come to you LITERALLY from the middle of the move (on a STOLEN SIGNAL). I am sitting on the floor, in the corner, with my computer on my lap as men come in and out and take my things away. At some point, they may just pick me up and take ME away, so if I cut off abruptly, that is what happened. So forgive if today is a little short. But there is a fine, fine question to be answered:

April asks: How do I decide what point of view to write from?


I’m assuming you all know what POV is, right? A quick explanation if you don’t:

First person: the narrator speaks to you directly. This is the “I” perspective.

Second person:
the main character is filtered through you. “You go to the store, but they have no hamster pellets in stock. You return home and do some dancing.” It’s not very common, and I have personally never used it.

Third person:
this is the “he/she/it” perspective. Third comes in various forms—you may only tell what the characters do and say, but never go into their minds (third person objective). You may follow the story from just one character’s viewpoint (third person limited), or from a handful of selected characters (third person multiple). Or you may be the all-knowing voice that can get into anyone’s head or any scene (third person omniscient).

Okay, so, there’s that. Now, how do you CHOOSE? This is a question I have been asking myself recently, as I am starting an entirely new book series, and I was playing with both first and third person. And I’ve written five books in third and one (Devilish) in first.

Usually, I ask myself two questions, and not necessarily in this order:

1. How much do I want the main character and the reader to know?

When you write in third, you can be the big, strong, smart narrator who knows it all, and you gain the ability to develop the narrative voice separately from the character’s voice. You can do your descriptions and evaluate the situation from higher perspective. You also gain the ability to move places and to gain information that the main character might not be privy to.

2. How will my main character impact the telling of the story?

When you write as the main character, you have the advantage of just talking like them . . . which means you get their speech patterns, their way of describing and looking at any situation they encounter. If your character has a very strong personality, a clear way of looking at the world, you can really use first with great impact. Also, first person narration can get away with more tangential stuff, as the character can start talking about whatever he/she/it feels like, when it wouldn’t be terribly relevant from a third person point of view.

For example, say you have to describe the main character’s room. Now, the way you do that in first and in third is very different. In first, you have to kind of give the character a reason for describing something they probably know very well, then you have to think about how that room appears to them. What is their attitude toward it? What matters to them? Maybe when they go into their room it makes them think about some time that they went to the circus, or the time they accidentally started a fire, or a philosophical concept he/she/it is obsessed with. Whatever you want, you can do it.

In third, you need less justification for descriptions, and you can filter the room in any way you like. You don’t have to assume familiarity. You can also use BIG WORDS that your character might not really use. Authorspeak is handy like that.

So, I kind of weigh the checks and balances . . . do I need unlimited access and FANCY VOICE, or do I want to tell this story in the voice of the person living it. (Because in first, that voice and view is an essential part of the shape of the story. See Catcher in the Rye, The Great Gatsby, Paper Towns, Liar, or a million other awesome books to see the power of first.)

I COULD say more on this topic and I am writing this very quickly but the room is now EMPTY. But . . . I totally made it! I did it! I blogged on moving day! And since there is much more to say on this topic, WHY NOT DO IT IN THE COMMENTS? Okay, I’ve got to . . .

. . . oh, I’m being put in a box . . .

*sound of stuffing, tape dispensing*

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Monday, November 02, 2009

NANOWRIMO DAY TWO: WHERE THE SUCKMONSTER ROAMS

Listen you guys . . . I am about to lay something critical on you. I am probably not supposed to be telling you this. I am going to get myself in trouble with the League of Real Writers. But you know that I am always compelled to tell you the truth. I won’t tell everyone, but I will tell YOU, friends. Just you. So here goes.

If you want to be a Real Writer, you must learn the fine art of the excuse. Observe:

So, you know how I said yesterday, on the first day of NaNoWriMo, that I would try to give advice EVERY DAY? Well, you may have to cut me SOME slack this week because I am moving tomorrow. Everything I own is in boxes, and after I finish writing this, my desk is going to be taken away and I will have NOTHING. And the cable appointment got messed up so I won’t even have my own internet until sometime on Thursday, so until then I’ll be sneaking around my new building trying to bogart some signal through the walls. Hopefully no one will paint with that special paint that blocks signals, and everyone will have nice, non-password-protected wifi.

Plus, I just found out that the new desk doesn’t come until Friday, so until then I will be a DESKLESS FREAK with NO SIGNAL in a WORLD OF BOXES. Plus my mailbox key doesn’t work. And I have to get this thing for my intercom. And I have to go out and all kinds of STUFF so that I can live like a normal person, like a shiny new trashcan. You guys—I NEED A TRASHCAN.

So this week is a bit special. But will I TRY? Oh, I will try! But if service is a little on and off for a few days, that is why.*

Now, you see, that is a pretty solid excuse. Moving your entire house and not having anywhere to sit and having to let movers in and shove boxes around and not having a buzzer or a key or any clothes or a trashcan . . . sometimes, life happens, and you have to deal with the life stuff completely. Many of you will face a few days this month that are simply so full or otherwise out of control that you won’t be able to write. And that’s fine. Those days often give you something to write ABOUT.

And also? You make up for it. Because when it comes to meeting the mark, aim for NO EXCUSES. Now, I realize that this probably seems like it runs counter to my previous statements about excuses, but hear me out. You have to allow for bumps and problems and days that are just slow or rough going. You can and will make up for them. For all the days I have been moving, I have found and replaced the time in my writing schedule, because my book is still due when it is due. It will still get done at the same time. If you get sick and miss a few days, if you start late, if you have to go away for a weekend, if someone needs your help, if you house is swept away in a tornado and you land in a magical kingdom . . . don’t worry. You’ll get back on track JUST LIKE ME.

Now, let’s get to today’s question.

Rachel asks: I've always loved writing and definitely consider becoming an author a goal of mine, this said, I think it would be a good idea for me to do NaNoWriMo. However, I don't think I have the time to do it (high school is way to stressful) and don't have a clear outline of a book ready at all. I have an idea for a book but I don't know if I like it or where it's going. Should I attempt it, knowing I'll probably fail, or not have the time necessary to complete it, or do it anyways?


I think you should definitely do it. Here is why:

1. No one has the time. (See above story for clarification, and just pretend I never said that part about missing a few days.**) You make the time if you want to write. If you do not want to write, you do not make the time. So if your goal is to become an author, start giving the time now.

2. No one knows what they are doing when they start out. Before you write a book, you do not know how to write a book. Catchy, and true.

3. There is no way of putting this delicately, so I am just going to shove it out there . . . if you are in high school or are otherwise just starting out, MUCH OF WHAT YOU WRITE IS GOING TO SUCK. This is because you learn to write while writing. So for a while, you have to embrace the Suckmonster. Hug it close to you. Love your Suckmonster, because your Suckmonster is going to help you get where you want to go. He is your friend and traveling companion. He’s friendly and furry and Muppet-like. Picture him clearly in your head now. Take a moment.

Do you see the Suckmonster? Isn’t he cute? Why not give your Suckmonster a name? That should kill a few minutes!



You have a friend. He's right there with you!


See, where the Suckmonster roams, progress is often made. A good sentence here, a clear idea there, maybe a great paragraph, and then a great page. But first, you have to try, and you cannot fear or avoid the Suckmonster. Because his presence doesn’t indicate failure. Every good writer I know has a friendly Suckmonster on a leash.

Really, the only way you can fail is not even trying in the first place. So don’t worry about how much you like it or where it’s going . . . just START.

I hope that encourages you, and that if necessary, I can come and live in your house. Until . . . soon. And please, continue to send your QUESTIONS.



* This means if I DO succeed, you should be extra impressed.
** Because, no, seriously . . . I AM MOVING. And I have totally done my 50,000 words many times over. If a marathon runner needed three days to get, like, a new FOOT BONE or something, would you give them @#$%? No. Of course you wouldn’t.

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Sunday, November 01, 2009

NANOWRIMO BEGINS

Can you believe it! It’s November, which means it’s time for NaNoWriMo—National Novel Writing Month, in which something like 100,000 people have signed up to sit in a chair (or stand, if you like, or recline, or maybe suspend yourself from the ceiling, as I would like to do) for an entire month and string together approximately 1,666 words per day. That’s 50,000 words by the end of the month.



It’s time to BUCKLE YOUR SEAT BELTS and GET IN THE CHAIR.


Since writing is WHAT I DO, and since I love to provide SERVICES, I will be answering NaNoWriMo advice questions and attempting to dispense some advice EVERY DAY.*

You may be asking yourself, “mj, are you actually DOING NaNoWriMo this year?”

My friends, I am always doing NaNoWriMo. I will be writing many, many words in November, but I will not be listed on the official ranks because I will not be uploading what I write. This is because those 50,000 words belong to a book that is already under contract, a book that is already well underway. I’ll be writing a lot, and you’ll be able to see those words eventually, when the book is out.

But trust me, I’m going to be coughing up a LOT of words.

And now, the first NaNoWriMo question . . .

Samuel asks: Hey! I'd love to read your advice of having/developing a writing habit -- more to the point, I'm curious if you treat it like a job (i.e. always writing at the same time every day, no distractions). For people who work a full time job and struggle with kids/pets/pants, what advice do you have for making sure the writing gets done too?


I like the phrase “writing habit.” All writers start with a “writing habit,” which is admittedly pretty weird and antisocial, but is still better than an “arson habit” or a “loud whistling” habit. If you really want to write, you have to make it habitual—and NaNoWriMo can help you develop it.

It’s ALSO a job. Well, it’s my job. And I do treat it as such, and proudly. Personally, I don’t write at the same exact time every day. My job has flexible hours. But I generally work 6-7 days a week, and at weird times when other people aren’t working. Because writing is my habit as well as my job, it’s just part of the continuum of my life.

But I think your main question is: how can you schedule in all that writing when you have ANOTHER job, and a family, and a life? How can you make it all work? HOW IS THIS GOING TO BE POSSIBLE? There are hamsters to feed and shiny things to collect and people who will want to talk to you and phone calls that need returning . . .
To answer this, let’s return to the idea of the job. When I first got serious about making myself a professional, about making writing my life, I decided to MAKE it my job, even though I had two full-time jobs at the moment. I begged, borrowed, and stole the time. I wrote whenever I could, under whatever conditions, making sure I clocked a minimum of two hours a day, if not four or six. I was a pretty terrible employee, but I was developing the correct attitude about writing!

Writing doesn’t come to you. It doesn’t just hand itself over on a plate. And it’s not magic. I do not, for instance, believe in muses. I believe in work and practice. Writing has always been a craft, and there is nothing wrong with viewing it as a job, something you must do. Shakespeare was a workman playwright (notice the “wright”), after all. It means “maker” or “builder.” It means WORKER.

I realize this idea of writing as a job conflicts with portrayals of writers on tv and in film, where the writers are usually these weird creative types that are always sawing on about something esoteric, hammering away about their inspirations in their special writing studio. Perhaps they are wearing a beret.

Writers on TV and in films are shown this way because ACTUAL WRITING IS VERY BORING TO WATCH. Oh, it’s good to DO, but it is not something you want to see in action. Actual writing involves the aforementioned sitting/reclining/dangling and WRITING. Sure, some places are nicer to write in than others. For example, at this very moment, I happen to be sitting on a lovely porch overlooking some trees and woodland creatures, but this is only because I am at a wedding that is at an inn.

Notice that part in which I am AT A WEDDING. The wedding is in 90 minutes, and I am jamming this session of writing in between a long car ride, some lunch, and the ceremony. I usually write at home, or with friends who are also writers, or on the subway, in a car, on a plane, in the airport . . . I have snuck my computer into my beachbag. I have written in hospitals and on buses and in traffic.

Many of the most prolific writers I know write while raising children or working other jobs. This is because they have to LASER-FOCUS their writing into set times, and they make those times work. When I’m backed into a corner, I tend to get more done. It’s like that old saying about how if you want something done, give it to someone with too much to do. Or Robert Benchley’s quote that anyone can do any amount of work, provided that it’s not the work you are supposed to be doing at the time.

So if you are doing NaNoWriMo while working another job or going to school . . . YOU ARE SET! You simply have to blow off about two hours of your other work every day and write! You will find this kind of finkery is a time-honored tradition amongst writers, who are by nature a sneaky, nocturnal group. You are joining the proud ranks of People Who Write When They Are Supposed To Be Doing Other Things (PWWWTASTBDOT).



We cannot entirely be trusted.


Though 1,666 words SOUNDS like a lot, you will find that it comes easier with time. Because when writing becomes your habit, you’ll be able to press on, press faster, and press harder. You will not be frightened by word counts. You should find that’s true even within this month. NaNoWriMo is a great way of SNAPPING YOU LIKE A TINY TWIG, and I mean that in the best way possible. Use the train. Use the bus. Use lunch. Use 5th period Spanish** Use TV time. Use mindless internet surfing time. Make writing your job. Be proud.

Have questions? Please leave them below! And to anyone who is wondering . . . YES, the final installment of The Lost Symbol Readers’ Guide is coming soon! Why isn’t it done yet? I WAS WRITING!


* Please note the word attempt.
** High school students: I’m kidding, obviously! Stay in school! Study hard! (wink!)

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